Tuesday, March 21, 2017

Going "Commando": My New Holga 120N

I'm not usually a toy camera kind of person. The couple that I have don't get much use, they're just not my style.  But I recently won third place in a photo contest, and my prize was this olive camouflage "Holgawood Collection" Holga 120N, called "Commando". With the factory having shut down, I figured that at least now I'll get a chance to use one of these infamous little cameras before they are nowhere to be found  (although now Freestyle says they're coming back?!).

Of course, I am aware of the Holga's "So Tragically Flawed It's Cool" status that makes it the darling of hipsters worldwide. In fact, even the user manual extolls the virtues of its plastic lens and probable light leaks as "stretching our visual perception" in ways a proper camera apparently cannot.  The idea of random uncontrollable light leaks as a feature rather than a problem makes little sense to me, and I certainly don't think I'll be using the Holga as a primary camera for "real" shooting, but I do sort of get the allure of an all-plastic zone focus toy that requires little or no effort.

Digger
Ilford FP4+, Rodinal 1:100
After playing with the camera for a minute or two, I quickly realized that the aperture doesn't change when switching between "bright sun" and "cloudy" modes. Curious and a bit annoyed (I know it's supposed to be a toy, but come on - the camera only HAS two settings, how can you mess that up?!), I took it apart and inspected the aperture selection mechanism. It turns out that the setting is useless, and after some searching online I realized that it wasn't just a bad copy. All of these cameras, which are clearly advertised as having a switch that switches between f/8 and f/11, in fact have a switch that does nothing at all.

I'm not sure why they chose to do this, and when they did make that decision I'm curious as to who it was that said, "Yes, and we should definitely still tell everyone that the switch actually does something!" It's not just an oversight. The user manual states, "... and has a switch designed to change the aperture from roughly f/8 to about f/11." And then, in what seems to be a comment added specifically to suggest that they're just having a laugh at your expense, they state, "Note: According to some, the two f-stops are so close that they are indistinguishable from one another. We leave it up to you to decide."

Overlook, Lake Apopka FL
Ilford HP5+, Rodinal 1:100
Anyway, I've never really made it past the first roll with most toy cameras, and I didn't expect to get any farther with this one.  I put a roll in and it felt like I expected -- cheap. The film back gets caught on the clips sometimes making it hard to remove. The film spool is held in place with a piece of sponge glued to the plastic case, and the film squeaks noisily across the exposing aperture as you crank the film advance. There's a plastic interchangeable mask that lets you switch between 6x4.5 and 6x6, but after shooting my first roll at 6x4.5, I decided I preferred the square format.

The shutter operates at a very approximate 1/100s (there's also a bulb exposure mode), so slower films need to be limited to bright daylight. My first roll was a bit lackluster, but once I got a feel for it I really started to see the draw. The images are ethereal and dreamlike, with heavy sharpness falloff away from the immediate center of the frame. The optical properties of the camera make it a bit specialized in my opinion, so I try to imagine the scene as it will appear on the negative before committing.

My next couple of rolls were primarily landscapes shot while on day hikes around the Central Florida area. I decided to try to enhance the dramatic look of the photos by stand developing the film in 1:100 Rodinal for an hour. Details in the sky became more interesting and the increased grain combined with the soft edges made for a striking, somewhat anachronistic-looking photo that really appealed to me.

Osprey Nest, Lake Apopka FL.
Ilford HP5+, Rodinal 1:100

So, count me in as one of the converted, sort of.  I won't be picking it up in place of my RZ67 any time soon, but this little thing definitely has earned a place in my arsenal!

Rope Swing
Ilford FP4+, Rodinal 1:100


Path
Ilford FP4+, Rodinal 1:100


Cypress Knees
Ilford FP4+, Rodinal 1:100

Friday, February 24, 2017

The Agfa Ansco D-6 Cadet

Agfa Ansco D-6 Cadet
A while back, I found a guy on Craigslist that was selling several random cameras out of a box in the trunk of his car. I think he was working for a thrift store and probably would collect some of the cameras that he ran across, using them as display pieces in his house. For whatever reason, he wanted to get rid of them so I met with him, rummaged through his stuff, and bought the entire box for $30. One of the 7 or 8 cameras in there was this box camera, an Agfa Ansco D-6 Cadet, which was produced from 1935 until 1941. Usually when I run across a pre-WWII box camera like this, it's a mess. The lens is missing or damaged, the winding mechanism is destroyed, etc.  In this case, it was just a little dirty. So I cleaned it up!


Thursday, June 16, 2016

The Voigtländer Prominent: Strange Is Beautiful

I laughed a little to myself when I read the Craigslist ad, "We know how much it cost, but what is it worth?! Submit your offers and the highest bid will be accepted on April 5th!" The blurry, oddly angled photo taken in bad light betrayed little or no sense of its condition, and I just let it pass. Of course I wanted a nice 1950's era chrome rangefinder, but I'm not really willing to get into a bidding war over one. I've got plenty of cameras already.


Come On-a My House


April 5th came and went, and the ad was re-listed. Then it was re-listed again, and then again. No one was biting. Eventually curiosity got the best of me, and I sent an email asking what kind of price range he was looking for.  He wanted $200, I politely declined with the excuse that I was just looking for something cheap to take on vacation with me, and I wished him luck.

Here's the fun part: when he heard I was actually going to be using the camera and not just putting it on display somewhere, he offered to give it to me for $100 and the assurance that I'd put it to good use. Apparently it belonged to a friend of his, a 91-year-old veteran that bought it while stationed in Germany sometime around 1951. He agreed to sell it for his friend, who was excited to hear that it might get some use again.

So the adventure began.