Extension Tubes Are Just Spacers
An extension tube |
A bigger extension tube |
Extension tubes are just hollow spacers that increase that distance.
How Extension Tubes Affect Your Image
Since the lens is expecting a specific distance to the film plane, changing this distance impacts its performance in a big way.
Focusing
Off-center focus by selecting different AF points in-camera. (See photo in Flickr) |
If your camera has autofocus and the lens is sufficiently fast, you may be able to retain some autofocus functionality, but the larger the tube, the less likely that becomes. Any method you may use of focus/recompose is going to be much harder to do correctly because of the very narrow depth of field. Better to compose first, then focus manually. If you still have use of AF, select the AF point in-camera so that you don't need to recompose.
Image Circle
The added flange focal distance causes the projected image circle to increase in size. I like to use the example of a projector that's projecting an image on a wall. Let's say you move that projector really close to the wall so that the projection is really tiny, and then trace a border around that image. That rectangle will be your camera's sensor. The projection fills your sensor perfectly. Now move the projector back a few feet. The projection is now larger, flowing over the boundaries of the sensor. Everything that's still in the sensor is now larger.
This was shot at f/16. (See image on Flickr) |
Exposure Time
Extension tubes will increase the exposure time required. Think of the projector again. The farther you move the projector from the wall, the darker the projection appears. It's the same for the extension tube. The larger the flange focal distance, the longer the exposure required. Depending on the conditions, this may mean that you need to use a tripod where you didn't need one before.
You'll also need to think about the depth of your subject (see the next section). It's common, as in the case of the yellow flower, to stop way down just to get a depth of field of an inch or so.
You'll also need to think about the depth of your subject (see the next section). It's common, as in the case of the yellow flower, to stop way down just to get a depth of field of an inch or so.
Depth of Field
The depth of field in your image will be reduced dramatically because of the reduction in focus distance, so stopping down will be important. In the image of the little frog here, you can see how thin the depth of field is by looking at the ground below him (click on the image to view it larger). That's a 22mm focal length at f/4, which would normally have a much wider depth of field.
Image Quality
A very tiny frog. Image details on Flickr |
Which Lenses To Use
Interestingly, the best lenses to use for maximum magnification are not the really long telephoto lenses like you might expect. The longer the lens focal length, the less of an impact an extension tube makes on the resulting image. On the other hand, really wide lenses are affected so much that they might be completely useless. For example, if I put an extension tube on my 17mm lens, I can't focus on anything at all because the maximum focus distance is actually inside the lens!
A standard 50mm lens is a popular choice because you can get great magnification and still have the subject outside of your camera. In fact, you could likely achieve a 1:1 magnification ratio on a 50mm lens while still being about 2 or 3 inches away from your subject. That's obviously not nearly as good as the subject distance for a true macro lens, but you're also not paying for a true macro lens.
Sunflower; 50mm lens and extension tube. Image details on Flickr. |
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