The Voigtländer Prominent: Strange Is Beautiful

I laughed a little to myself when I read the Craigslist ad, "We know how much it cost, but what is it worth?! Submit your offers and the highest bid will be accepted on April 5th!" The blurry, oddly angled photo taken in bad light betrayed little or no sense of its condition, and I just let it pass. Of course I wanted a nice 1950's era chrome rangefinder, but I'm not really willing to get into a bidding war over one. I've got plenty of cameras already.

Come On-a My House

April 5th came and went, and the ad was re-listed. Then it was re-listed again, and then again. No one was biting. Eventually curiosity got the best of me, and I sent an email asking what kind of price range he was looking for.  He wanted $200, I politely declined with the excuse that I was just looking for something cheap to take on vacation with me, and I wished him luck.

Here's the fun part: when he heard I was actually going to be using the camera and not just putting it on display somewhere, he offered to give it to me for $100 and the assurance that I'd put it to good use. Apparently it belonged to a friend of his, a 91-year-old veteran that bought it while stationed in Germany sometime around 1951. He agreed to sell it for his friend, who was excited to hear that it might get some use again.

So the adventure began.

Camera Review: Pentax P30T

The Pentax P30T, attached to a lens from a
Vivitar v4000 that suffered a sad fate.

I didn't know much about the Pentax P30T when I saw it pop up on a Craigslist ad for $30. Of course, I looked it up before sending out the email, but there wasn't much to say, it seemed. It was the pictures that drew me in. It just felt so... 1980's. All of the controls flush against the top panel. The pewter colored body. The big "P30" etched vertically into the hand grip rubber in that TV interlaced style that was so common back then.

This camera looked like something from Blade Runner.

Film Photography & Digital Processing: Yes, You Should Edit Your Photos!

There seems to be a presumption, growing in popularity, that film photography is somehow more pure than digital photography. It's the idea that doing any processing on an image after scanning it from the negative is considered "cheating" because you're altering the image from its original, physical source. I'd like to try to clear up this misconception in my usual long-winded and rambling style.

The Canon A-1: Wonderful, Ridiculous Machine

Released in 1978, the Canon A-1 was the first SLR in history to offer a full Program mode, allowing the camera to choose both the shutter speed and aperture and thus allowing the user to concentrate completely on getting the shot. I like historically significant cameras, so this one was on my list. I considered myself lucky when one popped up on Craigslist for a good price.

I was thinking about what a great deal I had gotten as I was driving home after buying my Canon A-1. I suppose I did get a good deal, although it wasn't quite the deal it seemed. The body came with the "Action Grip", three lenses, a generic flash, a cable release, user manual, and a camera bag that held everything. All of this for $60. I had noticed that the battery door was cracked, but replacement doors are cheap and this is a common issue, so I didn't worry too much about it.

Camera Review: Nikon FM2n

The Nikon FM2n entered the world as a minor update to the groundbreaking FM2 in 1984. With an all-mechanical shutter reaching unheard-of speeds of 1/4000s, the FM2 is a camera that is already unique enough to be on my "want" list.

Early FM2n models saw only a couple of changes over the FM2, the most obvious being an update to the maximum flash sync speed from 1/200s to 1/250s.  A new mirror stop was also added to the FM2n, as well as an extra light trap in the mirror box. Later FM2n's (from 1989 onward) also saw the titanium honeycomb-patterned shutter replaced with a smooth aluminum one.

Finding a Replacement For Mercury Batteries

At this point I have several different cameras that require the old mercury batteries, which are no longer available. Since alkaline batteries have a different voltage and discharge pattern, some cameras cannot accept them as replacements because it would render the meter wildly inaccurate, and in some cases risk damaging the electronics.

The good news is that there are a couple of alternatives that work pretty well.

Camera Review: Rollei 35

Ah, the Rollei 35. People love it! They're going for about $150 on eBay right now, more than the price of many great SLR's. As for me, I'd have a hard time paying that much for one. Sure it has some great talking points, but never before has a camera made me feel so inadequate.

Camera Review: Pentax K1000 (and Asahi SMC Pentax-M 50mm f/2)

The Pentax K1000 has a reputation for being a solid, no-frills SLR that will probably outlast your children. It's a pretty accurate reputation. I bought mine off of an ex-student that had taken a college photography class and (of course) moved right on to a digital camera. I paid $25 dollars for it and an Asahi SMC 50mm f/2.0 lens. I'm going to include the lens in this review because otherwise it would be quite short. Of course, if you're not interested in that lens you can ignore the appropriate parts.

Camera Review: Nikkormat FT2

Nikon FT2 with Nikkor 35mm f/2.0

Now that I've finally gotten some good use out of this camera, it's time for a review. The Nikkormat name was given to the consumer-level line of cameras manufactured by Nikon through much of the 1960's and 1970's. This particular model, the Nikkormat FT2, was manufactured from 1975 to 1977 as the successor to the FTn. So this camera is just about as old as I am. It's a metered manual camera, meaning you set the aperture and shutter speed yourself, and there are no automated modes available.